Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Thursday, 15 May 2008

Tingles

There are certain places that I have visited over the past ten to fifteen years which have truly stopped me in my tracks and given me a particular, peculiar 'feeling'. It's dfficult to know how to put this feeling into words, but the overall sense I get is one of connection to other people over hundreds and sometimes thousands of years. It's as if I'm looking at things through their eyes, and I certainly feel as if I'm treading in their footsteps.

The specific places I'm talking about which give me these kinds of tingles are both local to me here in Swindon and further afield. Of the local sites, I'm talking about Avebury stone circle, Silbury Hill, West Kennet Long Barrow, Waylands Smithy and White Horse Hill at Uffington, indeed anywhere along the Ridgeway and in amongst the North Wilts downs.

Further afield I love to walk in the sunken paths, the ancient holloways of Dorset and Somerset, feeling like I'm continuing an ancient tradition of migration. Robert Macfarlane writes very compellingly about these paths in his beautiful book "The Wild Places":

"These holloways are humbling, for they are landmarks that speak of habit rather than suddenness. Trodden by innumerable feet, cut by innumerable wheels, they are the records of journeys to market, to worship, to sea. Like creases in the hand, or the wear on the stone sill of a doorstep or stair, they are the consequence of tradition, of repeated action. Like old trees - the details of whose spiralling and kinked branches indicate the wind history of a region, and whose growth rings record each year's richness or poverty of sun - they archive the past customs of a place."

It is indeed the connection to others' habits and daily lives that gives me tingles in these places. All the hill forts, paths and monuments to ancient times either look out over, weave through or hide among landscapes that I can truly imagine others feeling every day fortunate to be part of.

When I first came to Swindon I was reading Thomas Hardy, and I felt thrilled to be walking the same Wessex routes as many of his characters. This landscape somehow captured my imagination and made me feel safe and connected to many other souls who settled here.

What is the magic that I catch in these places?

I'm not one necessarily for UFOs and Orbs and Crop Circles, although I'm open-minded about most things, but I can understand how others are driven, through their own tingles, to imagine evermore fantastical "powers" and unexplained apparitions. There's lots of video footage on Youtube purporting to reveal the appearance of orbs on the landscape, though George Wingfield, a Wessex Sacred Sites expert I was recently talking to, assured me that all these, along with the majority of crop circles, are of course the product of marvellous fakery.

Personally I believe the magic I'm catching is one of human consciousness and industry. All that has been written about these places, and all that has been constructed in these places, the remnants of which can still be traced, conveys a timeless sense of imagination, creativity, resourcefulness, response to beauty and deisre to work in harmony with the land, which is common to all humanity, as much then as now.

I wonder if the tingles I feel are at all similar to how Tim Smit felt when he first set foot, machete in hand, into the brambly overgrowth that was to become the Lost Gardens of Heligan. I went to listen to Tim on Wednesday evening as part of the Swindon Festival of Literature, and I was reminded of the remarkable effect Heligan had upon me when I first visited it 5 years ago.

It was a visit that changed my life and my outlook completely. I became fascinated by sustainability, local food production, kitchen gardens and the society they supported. On my return home I registered with an organic box scheme from a local walled garden, and stopped buying vegetables in the supermarket. As a consumer I voted with my feet, and am pleased to say that along with similar actions from other consumers the supermarkets are gradually changing their stock to be more organic, and more locally produced. But that is another story.

I was of course doing more than voting with my feet. I was also voting with my heart and my imagination, because the Lost Gardens of Heligan had given me the usual tingles. I saw so much evidence of Victorian and Edwardian ingenuity that had all been lovingly restored, the reminders of civilised and sustainable community and society before the barbarity of the First World War, and I wanted to reconnect with that ethos and that time and those resourceful human souls in a tangible way in my own life and habits. I wanted to find a way of translating those tingles, and carrying them away with me.

Like in so much of the rest of Britain, life was never the same again at Heligan after the war. The gardeners were wiped out, leaving their tools and pots and overalls to languish behind them. I guess the sadness of the Heligan story, and the triumphant regeneration of the place by hopeful and optimistic individuals, only adds to the tingles, and confirms for me that what I feel in certain places is indeed a pride and excitement about the imagination, the creativity and the resourcefulness of our forebears' consciousness.

So I'm grateful for these tingles. They remind me of my place in the human chain, and they inspire me to live my life with greater imagination and gratitude. They occur whenever I come across evidence of human relationships with the landscape, and with each other, and sometimes bring tears to my eyes.

Tuesday, 22 April 2008

Bit of a soap-box moment....


I have recently been introduced to an excellent web-site called www.ted.com. It comprises a selection of talks by speakers of all disciplines, on all topics, and its strap line is "ideas worth spreading". I am a new visitor to TED - my attention was drawn to it through the newsletter of a fellow coach named Mary Rosendale, and then just the other day my friends Jane and Gary Spinks told me about a talk given by Sir Ken Robinson. (Thanks guys!xx)

If you are interested in children, in education, in creativity, or if you've simply got 20 minutes to spare to listen to something entertaining, then do take the time to check out the video! I tried to include a link to it in my blog but technology got in the way. Blogger wouldn't let me do it, so I have to trust that you will go and find it for yourself then come back here and read what other things I've got to say on my soapbox, and hopefully leave some comments, which I might even publish. So go to the TED web-site, search on Sir Ken Robinson, then sit back and relax for 20 minutes, and come back later!

Meanwhile, by way of an interval, here's a nice photo of some barbies on the beach:




WELCOME BACK! What did you think?

Sir Ken talks a little bit about learning disorders and ADHD. What he says strikes some as rather controversial, however I do agree with him that prescribing medication to children who are simply different, who have different needs, and who do not conform to the narrow strictures of a modern classroom, is tragically misguided, insensitive and unimaginative. These young people are far more likely to be the creative, innovative geniuses of the future than many of the "conformers", and yet we typically do not know how to deal with them.

I once saw a TV programme about ADHD and in it the mother of a young lad who was awaiting diagnosis actually said that she found her son's behaviour so difficult that she didn't know how to love him.

For me, this is precisely where the problem lies: it is our (innocent) ignorance and (innocent) lack of imagination, compassion and wisdom which causes us to get impatient with the behaviour of others. We withdraw from what we don't understand or feel comfortable with. When the object from which we are withdrawing is another human being, in fact a lonely, confused and highly sensitive CHILD, we cannot begin to know the impact of our action on that individual. When the person doing the withdrawing is the child's own mother, then the impact is magnified a thousand fold.

Actually the woman being interviewed was extremely brave to admit her feelings about her son. She didn't WANT to withdraw from him - she just didn't know what else to do. She was doing the best she could do, and she was becoming exhausted and desperate.

It IS exhausting always to be looking for something different from what we're faced with. It is exhausting always to be thinking, "I didn't want things to be this way, I wish they could be another way."

Why not just stop, take another look at what we do have, what's in front of us RIGHT NOW, what the beautiful best of it is, and work with that? It does require us to be extremely tuned in to what's going on with those around us, we need to be connected, we need to be open, we need to drop our expectations and our judgements about how things ought to be, and we need to listen and respond.

Four years ago I had a great teacher named Dr Roger Mills. I learned many things from him, and one of those things was that bad behaviour comes from insecurity. If you want a child to behave badly, withdraw from them. Show them no interest, no love. This sounds very harsh, and of course it is something that every single one of us as parents would say that we couldn't possibly do. In our own way we all believe wholeheartedly that we love our children and that we show them we love them. The trouble is, it is love by our own definition.

Instead of loving our children to the standards by which we were loved, by the confines of our own conditioning, we need to pay special and careful attention to how our children want us to love them. For my son, he wants me to speak to him honestly, without sarcasm, and to trust him. My daughter needs more interaction, she likes to play imaginative games, and she likes me to join in.

How we love our children, how they like to feel our love, is not dissimilar from how we educate our children. As they have different sensitivities so they have different intelligences.

What faces us now is how to use more of our own wisdom and creativity in designing education that will prepare our children best for the uncertainties of the future.

One thing I'm sure of is that this will be much easier if we stop trying to control and becalm everything and everyone that threatens to rock the boat. Withdrawal, exclusion and medication are cruel, inhumane and entirely unsustainable foundations for human civilisation, and yet these seem to characterise the experience of too many children.

Love, compassion, flexibility, openness and an ability to empathise and connect with others are the only ways to safeguard our children's future. Once we've got these things right, education, creativity and how to accommodate "non-conformers" will take care of themselves.